Or another day of learning how to do Lua scripting with artists. (It’s easier than you think.)
Just click the button. You monster.
I’ve been excited about the possibilities for our scripting system to handle fire and fire propagation for some time and finally made the chance to start working on it this last week while I was delving into some combat scripting (and that with regard to making The Troubles With Fish People more aesthetically pleasing).
Building A Better World Through Video Game Violence
To cut right to the point, the questions I’ve been asking myself surround the role violence plays in the tone of Clockwork Empires.To start: I don’t believe that violence for its own sake is interesting or desirable because, well, it’s unpleasant. Unpleasantness, however, definitely has a use in the aesthetic and narrative experiences that games explore (- to say that games are just about “fun” misses so much of what is going on in them!)
So let’s dive in.
Things that can happen.
The Clockwork Empires frontier is not a peaceful, gentle place and it’s important that we express to players that there are terrible, terrible consequences for Knowing What Should Not Be Known, Digging Too Greedily And Too Deep, or simple things like “not planning a stable food supply” or basic colonial defense. Things happen.
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